Could you tell us the story of how you first encountered Jens Quistgaard's pepper mills?
We first saw a Quistgaard mill in an antiques store in Copenhagen in 2015. We had spent an almost embarrassing amount of time perusing the Roxy Klassik warehouse, which feels a bit like an encyclopedia of Danish Modern design. After seeing all the chairs and tables we could imagine, we started looking for smaller objects we could purchase as a souvenir. That's when we first came upon the Vanguard mill by JHQ. This object stood apart. Without knowing anything about it, we were drawn to its high level of craftsmanship and elegance. We asked the sales staff about it and got a couple of raised eyebrows. Since these pepper mills were made for the American market, finding them in Denmark is a bit unusual. After a bit of a chuckle that folks from New York had to go all the way to Copenhagen to find one of these mills, the friendly staff gave us our first primer on Quistgaard.
How did this first encounter progress to setting up a website?
When we got home, we started to look more into JHQ and his work. This was in 2015 and there wasn't much information available online. It soon became clear that JHQ's pepper mill series was particularly under-represented. We pieced together what we could from the scraps of information we could find: auction websites, Facebook posts, etc. Luckily, there was a book Danish Pepper: Jens Quistgaard's Teak Pepper Mills by Mark Perlson, specifically about the pepper mills. Furthermore, we found a defunct Wiki page created by Todd Pederzani via the Wayback Machine. These two sources gave us a first look at the extent of this collection. Even still, we wanted to expand on those bodies of information and make a more user-friendly collector's guide. We began to think seriously about making our guide around the start of the [Covid] pandemic lockdowns. Our collection was pretty fleshed out and we had a lot of time on our hands. So we got to planning and delved into more serious research, reaching out to lots of folks who could help us piece this story together. Then came photo shoots, drawings, putting together a website, which are luckily all things we'd done before.
How did Jens Quistgaard's design philosophy play a role in piquing your interest?
We are awestruck by the dedication to experimentation that underpins JHQ's design output. According to the wonderful and definitive book Jens Quistgaard: The Sculpting Designer by Stig Guldberg, Quistgaard regarded designing pepper mills as creative play. Each object is engaging, charismatic, a bit mysterious, and solves a specific design problem in a resourceful way. All together, these objects represent a dedication to a process of invention, discovery, iteration and optimism that we find transcendent. We see this as aspirational for our own lives – to find an activity from which we glean this kind of joy.
What is it about their design that holds such enduring appeal, do you think?
This collection of objects has a few ways to draw people in. To those who like craftsmanship, there is no end of it here. The shapes of the mills are somewhat familiar, drawing on a variety of references in an inventive way. As JHQ himself mused, each object was created as a whimsical centrepiece for your table.
Unlike the other objects on your table, which are meant mostly to be used by an individual, a pepper mill is meant to be passed around, held and used by everyone.
And apart from the appeal of each mill, when arrayed, they create endlessly wonderful compositions. When photographing our collection, one of our favorite activities was arranging the mills into groups, and considering how each shape plays off its counterparts.


















