Before moving to the residential neighbourhood set on the steep slopes overlooking Mount Fuji, the couple lived in a tall apartment block. But as Kobayashi says, "we wanted a lifestyle closer to the ground, and when we found this house, we felt it was possible."
The original share house plan – five 10sqm/108sqft bedrooms, a central kitchen, two showers, two wash basins and two toilets – was neat but densely compartmentalised. Instead of working within those divisions, they removed almost all the internal walls and, even more radically, the floor sections too, exposing the sloping terrain beneath. Revealing what had been sealed off as underfloor voids, these excavated areas became five distinct "pits" – lowered zones that now hold the basis of Kobayashi, Shiozaki, and their cat and dog, Fal and Tono's daily life – who also enjoy running along the exposed beams and catwalk-like platforms around the pits.
Rather than defined rooms, a continuous dynamic space keeps the home open – cooking, eating, working, entertaining, and sleeping thoughtfully distributed across the airy, multi-layered home for four.
An Entrance and Hall That Expand for Entertaining
For a house built around beams, the material logic starts before you're even inside, with a low front gate made from a repurposed wooden joist. From the sloping garden path into the entrance, east-facing windows make for a bright arrival, as does the aluminium sash door. Just inside, a bar hangs umbrellas, and a shina plywood unit conceals shoe storage. The same plywood recurs throughout, lining most of the shelving and running across the ceiling above. Through a single step, the entrance moves directly into the hall, where a small table folds out from the wall for when, as Shiozaki says, "people come over, and it gets crowded at the dining table." From there, just one step down leads to the dining and kitchen.

























